Oil On Canvas, Real Flavor of Old Masters

All Anthony Van Dyck 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
58904  
sir anthony van dyvk, Anthony Van Dyck
  		 sir anthony van dyvk   mk265 queen henrietta maria of england.1632 royal collection.
58993  
sir george hayter, Anthony Van Dyck
  		 sir george hayter   mk265 portrat of sophia kiselyova 1831 st petersburg state hermitage musum.
58954  
sir henry raeburn,spencer, Anthony Van Dyck
  		 sir henry raeburn,spencer   mk265 second maouess of northampton 1821 privatr collection.
59055  
sir john lavery, Anthony Van Dyck
  		 sir john lavery   mk265 spring 1903 paris musee dorsay
31755  
Sir John Suckling, Anthony Van Dyck
  		 Sir John Suckling   mk76 Painted between 1632 and 1641 Oil on canvas 85 1/4x511/4in
58900  
sir josgua reynolds, Anthony Van Dyck
  		 sir josgua reynolds   mk265 potyrait of captain george k h coussmaker,1782,enw york the metropolitan museum of art,
58987  
sir martn archer shee, Anthony Van Dyck
  		 sir martn archer shee   mk265 jane lady munro 1819 london,national portait gallery.
29327  
Sir Thomas Chaloner, Anthony Van Dyck
  		 Sir Thomas Chaloner   mk65 Oil on canvas 41x32"
58901  
sir thomas gainsborough, Anthony Van Dyck
  		 sir thomas gainsborough   mk265 portrait of the hon. franves duncombe, c 1777, new york the frick collection
58955  
sir thomas lawrence, Anthony Van Dyck
  		 sir thomas lawrence   mk265 catherinegray. lady manners 1794 cleveland museum of art
58956  
sir thomas lawrence, Anthony Van Dyck
  		 sir thomas lawrence   mk265 elizabeth farren later cautess of derby 1790 new york the museum art
58959  
sir thomas lawrence, Anthony Van Dyck
  		 sir thomas lawrence   mk265 airhur atterley 1790-1791 los angeles county museum of art
59070  
sir william orpen, Anthony Van Dyck
  		 sir william orpen   mk265 mrs st geoge c 1912 privte collection
1092  
Soldier on Horseback, Anthony Van Dyck
  		 Soldier on Horseback  
96981  
St Jerome, Anthony Van Dyck
  		 St Jerome   Oil on canvas Dimensions 215 x 195 cm cyf
21727  
St Marrin Dividing his Cloak (mk08), Anthony Van Dyck
  		 St Marrin Dividing his Cloak (mk08)   C.1618 Oil on panel, 171.6x158cm Zaventem,St Martin
33695  
St Martin Dividing his Cloak, Anthony Van Dyck
  		 St Martin Dividing his Cloak   mk86 c.1618 Oil on panel 171.6x158cm Zaventem,St Martin
87548  
Studienkopf eines alten Mannes, Anthony Van Dyck
  		 Studienkopf eines alten Mannes   um 1618 Medium Oil on oak panel Dimensions Deutsch: 49,5 x 58 cm cjr
81229  
Study of a Bearded Man with Hands Raised, Anthony Van Dyck
  		 Study of a Bearded Man with Hands Raised   oil on canvas painting by Sir Anthony Van Dyck, c. 1616 Date c. 1616 cyf
77914  
Study of a Bearded Man with Hands Raised,, Anthony Van Dyck
  		 Study of a Bearded Man with Hands Raised,   Study of a Bearded Man with Hands Raised, oil on canvas painting by Sir Anthony Van Dyck, c. 1616 cjr
21726  
Suanna and the Elders (mk08), Anthony Van Dyck
  		 Suanna and the Elders (mk08)   C.1621/22 Oil on canvas 194X144cm Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek
33694  
Susanna and the Elders, Anthony Van Dyck
  		 Susanna and the Elders   mk86 c.1621/22 Oil on canvas 194x144cm Munich,Bayerische Staats-gemaldersammlungen,Alte Pinkakothek
20499  
Susanna and The Elders (mk03), Anthony Van Dyck
  		 Susanna and The Elders (mk03)   c.1620-22 Oil on canvas, 76 3/8x56 3/4"(194x144.2cm) Alte Pinakothek, Munich
59105  
tamara de lempicka, Anthony Van Dyck
  		 tamara de lempicka   mk265 portrait of his lmperial highness grnd duke gabriel 1927.ptivate collection.
43125  
The Balbi Children, Anthony Van Dyck
  		 The Balbi Children   mk170 1625-1627 Oil on canvas 219x151cm
33697  
The Count of Arundel and his son Thomans, Anthony Van Dyck
  		 The Count of Arundel and his son Thomans   mk86 1636 Oil on canvas 187x162cm Madrid,Museo del Prado
21729  
The Count of Arundel and his son Thonmas (mk08), Anthony Van Dyck
  		 The Count of Arundel and his son Thonmas (mk08)   1636 Oil on canvas 187x162cm Madrid,Museo del Prado
31756  
The Countess of clanbrassil, Anthony Van Dyck
  		 The Countess of clanbrassil   mk76 Painted probably in 1636 Oil on canvas 83 1/2x50 1/4in
20498  
The drunken silenus (mk03), Anthony Van Dyck
  		 The drunken silenus (mk03)   1618-20 Oil on canvas,41 3/4x35 5/8"(107x90.5cm) Gemaldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden
20497  
The expulsion of adam and eve from the garden of eden (mk03), Anthony Van Dyck
  		 The expulsion of adam and eve from the garden of eden (mk03)   1621 Oil on buff paper,laid down, 7x6 3/4"(178x172mm) National Gallery of Canada,Ottawa
45591  
The funf senses with landscape, Anthony Van Dyck
  		 The funf senses with landscape   mk186 1638 Strabburg, muse of the Beaux-type
80609  
The Lamentation over the Dead Christ, Anthony Van Dyck
  		 The Lamentation over the Dead Christ   Date ca. 1629(1629) Medium Oil on canvas Dimensions 303 x 225 cm (119.3 x 88.6 in) cjr
61254  
The more intimate, but still elegant style he developed in England,, Anthony Van Dyck
  		 The more intimate, but still elegant style he developed in England,   The more intimate, but still elegant style he developed in England, ca 1638
39667  
The mystic marriage of the Blessed Hermann Foseph with Mary, Anthony Van Dyck
  		 The mystic marriage of the Blessed Hermann Foseph with Mary   mk150 1630 Canvas 160x128cm
28141  
The Painter Marten Ryckaert, Anthony Van Dyck
  		 The Painter Marten Ryckaert   mk61 c.1629-1631 Oil on panel 148x113cm
42041  
The rest in the flight to Egypt, Anthony Van Dyck
  		 The rest in the flight to Egypt   mk166 1630 I Wave on cloth 134x195cm Galeria Palace Pitti, Florence
28850  
The Rest on the Flight into Egypt, Anthony Van Dyck
  		 The Rest on the Flight into Egypt   mk65 Oil on canvas 52 3/4x73 3/4in Pitti,Palatine Gallery
94332  
The Rest on The Flight into Egypt, Anthony Van Dyck
  		 The Rest on The Flight into Egypt   circa 1630(1630) Medium oil on canvas Dimensions 135 x 115 cm (53.1 x 45.3 in) cjr
20544  
The Virgin and Child with Donors (mk05), Anthony Van Dyck
  		 The Virgin and Child with Donors (mk05)   Canvas 98 1/2 x 75 1/4''(250 x 191 cm);22 1/2''(57.5 cm)at the top of the picture are a later additi8on Acquired by Louis XIV in 1685
61263  
This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on, Anthony Van Dyck
  		 This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on   This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on
59011  
thomas eakins, Anthony Van Dyck
  		 thomas eakins   mk265 1900 new york the metropoltan musum of art
58957  
thomas phillips geord, Anthony Van Dyck
  		 thomas phillips geord   mk265 6th bayron 1813 oil co canvas 76.5 x 63.9 cm london national portait gallery.
87144  
Triumph des Silen, Anthony Van Dyck
  		 Triumph des Silen   1st third of 17th century Medium Oil on canvas Dimensions Deutsch: 135 x 195 cm cjr
58925  
unknown artist, Anthony Van Dyck
  		 unknown artist   mk265 the waltz c 1800 paris musee carnavalrt
59059  
valentin serov, Anthony Van Dyck
  		 valentin serov   mk265 portait of count felix sumarokov elston with his dog 1903 st petersburg russian museum.
20555  
Venus Asking Vulcan for Arms for Aeneas (mk05), Anthony Van Dyck
  		 Venus Asking Vulcan for Arms for Aeneas (mk05)   Canvas,86 1/2 x 57''(220 x 145 cm);20''(51 cm)at the top of the picture are a later addition Entered the collection of Louis XIV between 1684 and 1715 INV
59008  
william bouguerau, Anthony Van Dyck
  		 william bouguerau   mk265 portrait of aristide boucicaut, 1875.paris bon marche collection.
43126  
William Feilding,lst Earl of Denbigh, Anthony Van Dyck
  		 William Feilding,lst Earl of Denbigh   mk170 1633-1634 Oil on canvas 247.5x148.5cm
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.



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